Holiday Shipping…
I wish I knew one way or the other when books would be in this week. Diamond isn’t sure when and if UPS can deliver them on time, so, I will update on Tuesday evening (with e-mail and a facebook post), when I think books will be out.
New Years Hours…
We will close a little early (at 7:00) on December 31st.
We will be open all day on New Year’s Day (8:00am to 6:00pm.)
Reminder to go Caucus…
I send this out with the Republican Iowa Caucus just a week away. Consider going and caucusing. It is an odd event, but something uniquely Iowan. We have a huge ability to effect the direction the country takes with this and it rests in your hands. Caucus night is January 3rd.
Each year I do a sort of awards “ceremony” and hand out the Cuppies, our Best of the Year Awards. They mean nothing and are simply my (and sometimes a few others, this year Ronnie is helping) opinion.
This year I am going to break it into two weeks. This week we will look at Best Writer, Artist and Company of the Year. Next I will go through my thoughts on the ten best books of the 2011 and have some hopes for 2012.
Publisher of the Year
We will do this in two parts; Publisher of the year and Best Publisher of the year. Publisher of the year is easy, that is DC. No one in the history of the industry has done what they did in the last year. I’m not saying good or bad, if you have read or talked to me, you know my thoughts on this. I’m talking about the massive game changing move they implemented.
It was brought on by Flashpoint, a rather lack luster crossover that was an entirely alternate reality and then re-booted their entire universe. It was at this point they started running ads on cable networks and promoted like no comic company has ever done… and it paid off. Never has DC seen the kind of interest and sales like they got off their event. The first month was big, but when the second month’s sales numbers came out it showed that retailers had purchased amounts of comics (in dollars) that totaled HALF of everything bought that month. An insane number.
It is THE biggest thing ever attempted or accomplished in comic’s history. However… Will it be maintained? Will the extremely strong sales created by this event be held onto? We will see and we will see with in the first couple months of 2012. DC could already be going from darling to goat and this time next year we all might be laughing at them, condemning them and outright mocking them.
I needed to split this “award” this year, because no one can convince me our Publisher of the Year did what was best for the industry. They did what was best for them and that can never make them the best of anything. Sure, they might have made the biggest splash, but they are not the best.
The Best needs to include a healthy amount of improvement and no one improved their overall product line like IDW has, and did so in just a year’s time. They are my choice for Best Publisher for 2011.
I still have issues with IDW as they continue to over publish their licensed products, however, they have become THE publisher of the highest in quality collections and made a major turn in the overall quality of their writing and artists work. Once thought of as Steve Niles’s publisher, IDW is now a major mover and shaker and became this squarely in 2011.
You will see both of these later in the Cuppies, but The Rocketeer is one of the finest books published last year and IDW’s Artist Editions and the over sized collections they are putting out are the finest books being published in the industry right now. They are still small, in comparison to the big two, but easily in quality they are out publishing DC and Marvel combined.
Artist of the Year
I had a hard time with this one. Nobody really struck me as being THE overly dominate artist of the last year. Maybe I’m just missing it. I started thinking harder and could only come up with three names that over the last year did new work that was so mind blowing I really took notice more than anyone else.
First, I want to point out someone who deserves this as much as anyone else, then I’ll get to the others. Dave Stewart, colorist on practically everything at Dark Horse and few DC, Marvel… hell, if it needs good coloring, Dave Stewart is the one to call. He is THE best colorist in the industry and, should probably be considered as Artist of the Year. The guy can now be recognized straight off by Kyle and me when we pull a new book out of the box. There has been light movement on getting colorists listed with inkers on a book’s cover. Thing is, when Dave Stewart does a book, you don’t need to list his name, you know it by looking. …so, he is my pick for Artist of the Year, but because some jack ass is going to say some sh!t about colorists and not being the same and whathaveyou… here you go with two others.
So, here are two greats I thought of – other than Stewart – that I feel sell books simply by their work alone, Terry Moore and Richard Corben, and put out some of the best work of their careers last year.
Richard Corben has always been good and good for a long time, but if you look at his couple Hellboy pieces as well as his three issue story in Dark Horse Presents, he has gotten cleaner AND more detailed then I can ever remember. His Hellboy, Being Human one shot and Hellboy, House of the Living Dead hard cover showed that a 61 year old can very much out draw any of these young hotshots any day.
Terry Moore is my other pick. Have you been reading Rachel Rising? If not, it is probably the best drawn book on the shelf, but you need to remember that Moore also writes it, pencils it, inks it, letters it, does the covers… oh, and freak’n SELF publishes it on a six week schedule!!! So, when you see that cityscape in issue three and your eyes bug out of your head from all the detail, just remember the deadlines he is under and be amazed. Side note, if you get to Chicago next year, you should stop and say hi. He is a great guy who takes time for his fans. One of the best artist (all round) working in the industry.
Writer of the Year
I thought and thought about this one too and then it became so clear I smacked myself for not thinking of it.
Comics are a strange medium. They are very dependent on sales. These sales obviously keep money flowing in. If the money is flowing creators stay employed and when a creator stays on a book for an extended period, usually, fans are happier.
When sales fall, you have options as a publisher. You can change creators, cancel the book or even re-boot continuity. DC wanted a bump in sales and threw out 70 years of continuity. This is a harsh and, in my opinion, short sited way to rejuvenate sales and interest.
Marvel wanted a sales bump on the X-Men and turned to Jason Aaron. In years past there has been some kind of crossover to help the X-books and move the story off in a different direction.
Jason Aaron has shown us how to “re-start” without “re-booting.” He was one of the masterminds and primary writer behind the X-Schism that split in the X-Men into two “schools” of thought this last summer. Not a huge crossover, but at the same time it effected all and every x-book being published and played to the anniversary of the first blue and gold teams.
Aaron then started Wolverine and the X-Men, a new book that takes the X-Men to its roots, a school to teach young mutants. As Good as this book is his recent run on Wolverine is better. Going for several years now, it is maybe the best run of the character I have read. His “Wolverine Goes to Hell” and subsequent “Wolverine’s Revenge” really do redefine a worn out, over used and tired character… that just happens to be one of the most important characters at one of the biggest comic companies.
Also, don’t forget he relaunched the Incredible Hulk. A great read setting Banner as the bad guy/mad scientist. When you think of the Hulk, it isn’t an easy character to write. A lot of people have tried and a lot have failed. This relaunch looks to be going in a good direction.
Those mainstream books aside, Aaron also writes – and will soon end – one of the best comics ever published, Scalped. Consistently one of the best reads month in and month out; I will be saddened when this book ends in 2012. If you have not read this book, it is collected and in stock. Do yourself a favor and get on it.
Two Honorary Mentions
Rick Remender needs to be spotlighted for his fantastic Uncanny X-Force run. No one since Chris Claremont has crafted an x-story as long and detailed as the Dark Angel story. He has written a team book that has more character development from month to month than nearly any in the industry. He has made sad, rather worthless or forgotten characters like Deathlock and Deadpool, Fantomex and Psylocke interesting. …and he did it with X-Force? Really. If you are not reading it, you should be.
Also, I could not finish this without mentioning Mark Waid. I looked at last year’s “awards” and saw that Ronnie had mentioned Shadowland as one of the worst reads of the year. It really was pretty bad. But I think, for the most part, it is indicative of super hero comics in general. Big non-story, non-character developing multi-part multi-expensive crossover laden crap. Where has all the simple storytelling of superheroes gone? Where are the stories we read as children? Why can’t writers just write the character? AH, thank you Mark Waid, you are one of the greatest of all time and perhaps the greatest character writer of superheroes ever and you have now come on a truly beloved character of Daredevil and made it a bonafide hit. Resurrecting a –for all means – dead character WITHOUT throwing out all the continuity that has come before. You are once again proven to be the man, Mark Waid. You are the man.
Collection of the Year
After praising IDW, why not move right into this “award.” I have a tie and both were published by IDW; Walter Simonson’s Mighty Thor Artist Edition and The Parker Martini Edition.
IDW started these Artist’s Editions two years ago with a Dave Stevens Rocketeer collection. They are the finest reproductions possible of the pages that were used to do the original art. You see the blue lines, you see everything before color and corrections were done to it and you get to see it as the editor saw it when it was handed in. They are expensive, but they are a must for the hard core collector. They are also becoming a sought after collection, going for much more in secondary markets only months after release.
Walter Simonson has THE greatest run on Thor in the character’s illustrious history and this is the best way to read two of those stories. I can say this about the collection. If there was a fire and I could only save four collections… This would be one.
Another would be IDW’s Parker Martini Edition. It collects both The Hunter and The Outfit in one Absolute size book. In the collection is also a new Parker story, a huge interview with creator Darwyn Cooke and a bunch of extra art and writing by the creator.
As you know, I loved the Parker novels and can easily say they are some of the best comics published in the last ten years, but if there was one thing that bothered me about them was that they were published small. Well, no longer a problem. The larger format is perfect for the beauty that sits on every page of these stories.
Next week we will look at some of the best books of the last year.
