Good week to you all. I hope the weekend was good and I’m coming to you with calming air and incense floating on your computer screen. May the sound of my voice in your head come like a Blue Lantern of Hope (I don’t know, it was the only thing I could think of.)

I promised someone I would sound more upbeat and make my e-mail not quite such a downer. There you go Dan, flowery enough for you? Good. Now that you are all filled with Hope, joy and peace (notice I didn’t say Compassion, I don’t like the Purple Lanterns or is it that I don’t like Purple?) let’s move on to mocking Marvel.
Insert Joke Here…
If you went to any of the regular comic “news” sites, you probably saw that there was a fairly major accident involving a truck carrying Marvel comic books to a Diamond. No one was hurt apparently, but a bunch of Marvel product was damaged and/or destroyed. Supposedly Marvel is going back to press quickly on this and there should be additional printings of these books.
Our distribution hub was the one most affected by this, however, we were lucky and there will not be any title to greatly affected by this. If you pull Invincible Iron Man off the shelf (I.e. it isn’t on your pull list, you might want to e-mail me.)
Batman & Robin #7…

What a difference a real artist who can actually draw makes. Batman and Robin #7 was such a breath of fresh air this last week (in a week that saw a slew of good books.) I know my two comrades in comics, Curt and Kyle, loved the issue too, and I’m sure we would all agree that the art was such a huge improvement.
I can not stand Philip Tan’s work. He’s no Rob Liefeld, but he is a not good either. There is one panel in issue four that has me especially pissy. It had Alfred, Damian and Dick all in it and the only way you can tell them apart is because of costumes. Now, Cameron Stewart’s work is so crisp and clean, it is very much like coming to the other side of a great fog.
If you do not know Stewart’s work, you should check out Sea Guy which he worked on with Grant Morrison. Some very weird and trippy stuff, but also just enough old school comic cool to make it fun.
I personally loved the tour around London in this latest issue. If you have ever been to the great city, you had to notice all the great landmarks. If you have not, Rich Johnston of Bleedingcool.com has a nice little write up on what was what and a helpful little glossary of terms.
www.bleedingcool.com/2010/01/28/batman-and-robin-7-a-british-glossary/
and for those of you who were a little confused with a panel towards the back of the book, Johnston also has a great quote from Stewart on it.
www.bleedingcool.com/2010/01/29/reading-batman-and-robin-7-part-two-2/
Can you do better than Johns?…
I’m not making a comment on his writing, I’m saying asking if you could come up with better ring bearers then Geoff Johns did in issue six of Blackest Night? A post on Comic book resources had a few options, that are pretty good. Check them out here: robot6.comicbookresources.com/2010/01/the-fantasy-lantern-draft-begins/. I’m still not 100% if I like Blackest Night or not. I thought issue six was just a blatant excuse to try and sell action figures, but, nonetheless, the thought of who would make a better choice is total nerd fodder you could all eat up.
And lastly…
I was asked today what I thought of Siege. I said I was fine with it and will read it through, though was neither big time loving it or hating it. They pressed and I said I liked what was being done in Iron Man, Captain America and Thor more than the big reuniting of the Marvel Troika.
However, what I don’t like is the fact that Marvel is already on to promoting the “event” or thing after Siege. Seriously, we aren’t even on to issue two of a four part comic and we are getting teaser images for what comes next. Their entire promotions department is the most ADHD group working in all walks of life. And this goes for DC too. They released the design for Brightest Day and won’t show us retailers a damn cover to the last installments of Blackest Night.
I’m going out on a limb here, but maybe if the two of them were less freaked out about trying to trump each other and finished a major event or series on time and with, what at one time was called a climactic well thought out ending, the industry as a whole would be better off… or we could just read better comics. Hmmm. Anyone pick up any of that Criminal? How is Sweet Tooth or Unwritten or Joe The Barbarian?








